Modern art style of russia

These are mainly public buildings, as if specially created to prove the perfection of aluminum sheets and strips, structural glass, sliding doors, artificial marbles and granites, stretch ceilings and even panoramic elevators. The volume of the building is exaggerated. And yet, it seems that such architecture is a huge breakthrough in the Russian self-consciousness. In some incomprehensible way, Russian high-tech materials raise Russian architecture, make it distinct, concise and accurate. In some cases, such a close connection with the material gives birth to something even akin to a free architectural design that has long reigned in civilized countries.

The third style is an exclusive building, taking into account the «personality» of the customer. This single-family houses in which the predominantly predominantly Romanesque or colonial classics.

It is the Romanesque style that can be recognized in the steep roofs, the vertically crushed volume of the building, the mass of towers and towers, completed by the same steep roofs, various balconies and terraces. Colonial classics, in principle, alien to the Russian geographical space, apparently, this is a sign of kinship with the pillars of the «wild» capitalism of the United States.

The facade design is traditional, with wide application of shingles (metal tiles), substitutes for traditional windows (metal glass pane under the tree), etc. This archaic arises not from the wretchedness of the consciousness of architects, but, rather, from the banality of the order. The desire of customers to emphasize their importance and, at the same time, to build something original in the absence of taste and inability to listen to the opinion of the designer, leads to a primitive result.

Perhaps, up to pure concept «style» to the allocated groups still far, however, the feeling that architecture has moved from a dead center, all the same is. Architects have more freedom, they can design a little more expensive, perhaps, as has happened more than once in the history of architecture, this will lead to real freedom and elegance.

Contemporary Cinematography in Russia.

Cinema, in the broadest sense of the word, is a system that allows to reproduce a flat, limited moving image of an arbitrary character (including a photostable lifelike one) and has the ability to instantly and completely change this image (editing gluing). This definition is also satisfied by television, video and high-speed Internet, the question of the legitimacy of the use of the term «cinematography», which is debatable in modern cinema science.

In the narrow sense, cinema means only the so-called «film cinema» — the system described above, where the material carrier is a flexible transparent substrate with an image (photochemically formed) applied to it, which is reproduced with the aid of a translucent projection.

With the help of this system (without regard to the carrier), one can simply transfer certain information — facts and author’s attitude towards them, which allows us to draw some analogies between the language of the cinema and the verbal language — what is happening in the newsreel and television — and to attach this information to the generalizing (that is, artistic) meaning, which, as a rule, takes place in the game and documentary cinema.

So, cinematography, firstly, is a communicative and artistic system, and both these aspects are studied by the theory of cinema, that is, the science of the foundations and general principles of cinematography. The aesthetics of cinema, in turn, studies the means by which the transmission of communicative and artistic meanings is carried out in the cinema.

Modern Russian cinema adequately and distinctly demonstrates its leadership in the context of other arts as a kind of artistic creativity representative of modern culture as a form of cultural self-awareness. At the same time, within the framework of the post-modern space, modern Russian cinema embraces new stylistic forms of artistic expression, combining realism and conventionality. In addition, the very realistic way of realigning reality undergoes significant changes.

A turning point in the sphere of Russian cinema can be considered 1992. Because of the sharp enrichment, many people began to actively search for potential areas for investment, because the film industry has become a real tidbit. This situation contributed to the emergence of private investment, which was filmed most of all films. During this period there are real ups and downs for many directors. The change of preferences and the audience played a rather malicious joke for many directors who could not adapt to the «culture of the nineties». As a result, their films failed at the box office and did not even have a minimal audience success.

The further development of the industry was influenced by economic factors. If we consider the history of Russian cinema briefly, then in this period the work of many filmmakers did not always find its spectator. Periods of default, the Chechen war, as well as the global crisis significantly reduced the number of films that appeared on the screens. Nevertheless, after 2008 the number of films continued to grow steadily.

A symbol of Russian cinema in the 90s of the 20th century was the character of the film «Brother» by A. Bodrov, a man with «true in hand in the form of a pistol». When the film «Night Watch» appeared on the screens in 2004, everyone started talking about the fact that Russian cinema is no worse than the foreign one. But skeptics assured that the Russian cinema is dead and the Night Watch is only a «flash in the pitch darkness.» But the appearance on the country’s screens of another remarkable film called «Turkish Gambit» caused a change in the public opinion about Russian cinema, even those people who used to say that Russia was not a film power. After all, one good film can be an accident, but two is already a pattern.

Conclusion.

Thus, it is necessary to draw conclusions on the topic under consideration.

M odern art, like modern life, strides rapidly forward. N ot everyone, sometimes not only, not completely and even often, does not understand where she is walking. T he same can be said about modern art. M odern art makes new demands on creativity.

T he modern creator has to choose between the former conservative approach, abstract thinking, and creative know-how. T his is a difficult choice! M odern art is constantly evolving and is in search of new ways of its development. The fact that yesterday was an underground, today is an ordinary banality.

Modern art in Russia is cultivated by modern society. The appearance and content of art nouveau is determined by public opinion and the public order of various strata of society.

Modern art of Russia, which previously was constrained by the rigid framework of long-obsolete ideology and morality, in the past 15−20 years boldly advanced far ahead.

M odern art of Russia is going at an accelerated pace, more and more new stages … A s a consequence, the role of contemporary Russian art in the world cultural environment is growing. M.

odern art of Russia opens up new talents, talents of modern times. R elying on the strength of his society, Russian modern art (as well as modern fine and pictorial art) strives for new and new heights. T he modern art of Russia, undoubtedly, was positively influenced by profound democratic transformations in the Russian social order.

D emocracy gave individual freedom. P ersonality in the conditions of democracy has not seen before opportunities for the manifestation of their talents in all spheres of public life.

A real sprint started. I n this race there are no losers. T.

he rapid growth of public activity, performs real miracles in the development of the Russian social system. R ussia is rapidly catching up with other developed countries and is already firmly in the group of leaders. T he authority of Russia is growing in all directions. M.

odern Russian art quickly and successfully emerged from stagnation, connected with a break in the social consciousness. M odern Russian art, like a real sprinter, is just gaining speed. M.

odern Russian art is dispersed quickly and confidently. And the whole gamut of modern Russian art is successfully developing.

Modern art carries a powerful emotional potential. Fears, stresses, emotions of the modern world, its swiftness and tension, color modern art (including fine and pictorial art) in mother-of-pearl pulsating colors. Non-standard and original views on the contemporary creativity of contemporary artists are born.

Art and its separate aspects, today, as before, remain the subject of scientific research.

During the 21st century, new species and subspecies of fine art continue to emerge, including those associated with virtual reality.

Modern art decorates our life!

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